Born in 1940 in New York City and raised in Ithaca/NY. Julius Eastman studied piano and composition at the Curtis Institute of Music, graduating in 1963. In the late 1960s, he moved to Buffalo/NY, where he was invited by composer-conductor Lukas Foss to join the prestigious university-based new music group, the Creative Associates, eventually becoming a member of the University of Buffalo music faculty. In Buffalo, his colleagues at the new music center included Petr Kotik, Gwendolin Sims, James Fulkerson, Jan Williams and Morton Feldman.
In the summer of 1976, Eastman moved to New York City, where he became part of the “downtown” New York music scene. During this period, he performed with Arthur Russell, Meredith Monk, Peter Zummo and others in venues ranging from Carnegie Hall and the Brooklyn Academy of Music to downtown lofts (such as The Kitchen) and disco clubs. From 1976 until his death in 1990, Eastman’s “model of musicianship”, as music historian Ryan Dohoney terms it, “expanded to include free Jazz, improvisation, new wave rock, disco as well as his own composed music that is marked by intense repetition and political aggressiveness”. This “political aggressiveness” is evident in the series of multi-piano pieces that Eastman wrote with provocative titles such as Crazy Nigger, Evil Nigger and Gay Guerrilla.
Following a series of personal struggles and misfortunes, such as eviction from his apartment for non-payment of rent and the confiscation of his possessions including his musical scores, Eastman returned to Buffalo, where he died.