Noriko Manabe is Associate Professor of Music Studies at Temple University. Her monograph, The Revolution Will Not Be Televised: Protest Music After Fukushima, won the John Whitney Hall Book Prize from the Association for Asian Studies, the British Forum for Ethnomusicology Book Award, and Honorable Mention for the Alan Merriam Prize from the Society for Ethnomusicology. She is currently writing her second monograph, Revolution Remixed: Intertextuality in Protest Music, and co-editing the volumes, the Oxford Handbook of Protest Music (with Eric Drott) and Nuclear Music (with Jessica Schwartz). She has recently analyzed Kendrick Lamar and the sounds of post-Trump protests. She is series editor for 33-1/3 Japan, a book series on Japanese popular music at Bloomsbury Publishing.