Nile Koetting

Which sound is special for you?

All sound can be special – when I choose to make it special.

How do you go about writing for a specific space?

I like to think of sound – or any vibrating material – as an actor in the space. Not every actor needs to be seen or heard, but their presence still matters. Even in a white cube, there are subtle temperatures, textures, and the quiet architecture of feeling. I try to start from that, and imagine: who or what belongs to this space?

What instrument has yet to be invented?

The ear.